BLUE CAP

BLUE CAP
(5x3.5 inch oil on masonite board)

FILLING THE ORDER

FILLING THE ORDER
(6x8 inch oil on panel)
This is the final painting of the PROGRESSION OF A PAINTING I've been posting. (See below). This guy is filling orders in the kitchen of Hathaway's.

THE SQUEEZEBOX

THE SQUEEZEBOX
(Private Collection)
Last night I went to the funeral of a good man. I decided this morning to post the painting I donated to the Cincinnati Art Club for their fundraiser "Summer Art Gala 2005" held at the Cincinnati Art Galleries. I'm happy to say the painting sold on opening night.

SEE YOU ON MONDAY!

PROGRESSION OF A PAINTING PART II

Here's another 30 minutes or so on the painting I started last week on Thursday.

(Beginning of the painting).

We have Bible Study on Wednesday nights at Covenant Church. I was scheduled to Webcast last night. Hopefully tonight after work I'll be able to finish this painting. I may just do another head study. (They go faster for me, usually.)

PROGRESSION OF A PAINTING
I mentioned in my profile that completing a painting every day may prove to be a challenge. I was right. So, today I am posting the first 30 minutes of a painting. Because, 30 minutes was the only amount of time I had available to paint today. Rather than post nothing, I thought you might enjoy seeing a painting as it progresses. I'll be surprised if I have more than 30 minutes a day to paint for the rest of the weekend. I'm booked solid with events.

I am working on this painting in the handmade paint box my dad made. It is such a wonderful box. Not only is it cool looking, but it is extremely functional. The lid can hold up to 4 wet 8x10 inch panels. The palette is made of thick plexiglas, with a small hole drilled in the corner to allow a finger to lift the palette out of the box. Underneath the palette are three separate compartments which hold all the paint and mediums I need. Plus a pair of pliers (I think of them as persuaders) for those tubes of paint that refuse to open. Also a razor blade scraper and brushes and palette knives. On the bottom is a mount for a tripod. I often just use a table top.

Sometime I'll show you the awesome table palette he made for my studio. Actually, you should see all the furniture he's built for me. I was thinking about this last night. Every single room in my house, yes even the bathroom and basement, has at least one piece of furniture Dad's made for me. He is awesome.



This is one of the ways I start a painting. I'll block in the large shapes and shadows. Then, I'll start pulling the painting out of the shapes. My favorite way to paint, though, is a bit different. I'll show that sometime as well (Good Lord willing).

JOSH REHEARSING
This is a painting of my friend, fellow artist Cindy Nixon's son. Cindy has work in several galleries across the nation including: Weiner-Eisele Fine Art Gallery in Cincinnati, Ohio and Argosy Gallery in Bar Harbor, Maine
.
Josh was rehearsing with the band at church one Sunday afternoon. The painting was accepted into the Salon International 2005 exhibit, A Project of The International Museum of Contemporary Masters of Fine Art held at the Greenhouse Gallery of Fine Art in San Antonio, Texas.
(PRIVATE COLLECTION)

STUDIES FOR A CHRISTMAS CARD
I had class last night, and wasn't able to paint. I decided to post these studies from last year's Christmas card.

VIOLINIST BEFORE THE CONCERT
(6x8 inch oil on masonite)

DIRECTING THE CHORUS
(5x7 inch oil on panel)
SOLD

LETTERS
(5x5 inch oil on panel)

This painting was an illustration for the magazine where I work.

THE RED HOODIE (6x8 inch oil on masonite)
This little fella came to church one Sunday on the bus. Some of the other kids were teasing him because of his hoodie. He wouldn't take his hood off. I thought he was kinda cool looking with it on, so I told him some day I would paint him wearing that hood.
SOLD